Showing posts with label El Bosque de Qualtron. Show all posts
Showing posts with label El Bosque de Qualtron. Show all posts
Wednesday, December 3, 2014
Going to MIAMI!
I'm pleased to announce my upcoming exhibition during Art Basel Miami Beach.
This new multimedia art project reflects, on the one hand, the desire for uniting the collective body, and on the other hand, projects new cultural roles for its participants. From photography to music, from painting to film, it boldly invites global audiences to affirm the principle of hope and to start a conversation about our visions for humanity’s future.
The artists presented by Zorya Fine Art, hailing from a wide variety of backgrounds in Ukraine and around the world, extend this invitation to audiences at Art Basel Miami Beach.
Tuesday, August 5, 2014
Artist Spotlight
I was surprised to find out that I was in the Artist Spotlight section at the Professional Artist Magazine's website http://www.professionalartistmag.com/photos/galleries/2014/jul/31/artist-spotlight-nadia-martinez/

Monday, June 2, 2014
Wearable art by Nadia Martinez: Jewelry collection
Tuesday, October 1, 2013
On the Relativity of Distance
(and some of its consequences):
American and Italian Art, 1963 – 2013
Curated by Filippo Fossati and Maurizio Pellegrin.
On view at the National Academy School from October 2 – November 7, 2013.
Please join us for the opening reception October 3 from 5:30- 8 PM.
This exhibition presents artwork created by renowned American and Italian artists during the 1960s and ‘70s as well as National Academy students and faculty who were influenced or affected by the aesthetic ideas and materials of that period.
Giovanni Anselmo – Ingo-Heinrich Appel – Robert Arneson – Cristina Avello - John Baldessari – Alighiero Boetti – Alexander Calder – Vittoria Chierici – Christo - Pirro Cuniberti – Holland Cunningham – Roshanak Elmendorf – Daniele Galliano - Marco Gastini – Piero Gilardi – Gianfranco Gorgoni – Floor Grootenhuis – Gary Kuehn - Karen Lindsay – Nicus Lucà – Piero Manzoni – Alfredo Martinez – Nadia Martinez - Fausto Melotti – Jeffry Mitchell – Paolo Mussat Sartor – Richard Nonas – Dennis Oppenheim - Giulio Paolini – Pino Pascali – Paolo Pellion – Giuseppe Penone Richard Pettibone - Gianni Piacentino – Nicola Ponzio – Emilio Prini – Carol Rama Man Ray – Ed Ruscha - Salvo – Mario Schifano – Judith Shea – Ayumi Shibata – Nancy Spero – Caryl Stern - William Villalongo – Gilberto Zorio
NATIONAL ACADEMY MUSEUM & SCHOOL
1083 Fifth Avenue
Curated by Filippo Fossati and Maurizio Pellegrin.
On view at the National Academy School from October 2 – November 7, 2013.
Please join us for the opening reception October 3 from 5:30- 8 PM.
This exhibition presents artwork created by renowned American and Italian artists during the 1960s and ‘70s as well as National Academy students and faculty who were influenced or affected by the aesthetic ideas and materials of that period.
Giovanni Anselmo – Ingo-Heinrich Appel – Robert Arneson – Cristina Avello - John Baldessari – Alighiero Boetti – Alexander Calder – Vittoria Chierici – Christo - Pirro Cuniberti – Holland Cunningham – Roshanak Elmendorf – Daniele Galliano - Marco Gastini – Piero Gilardi – Gianfranco Gorgoni – Floor Grootenhuis – Gary Kuehn - Karen Lindsay – Nicus Lucà – Piero Manzoni – Alfredo Martinez – Nadia Martinez - Fausto Melotti – Jeffry Mitchell – Paolo Mussat Sartor – Richard Nonas – Dennis Oppenheim - Giulio Paolini – Pino Pascali – Paolo Pellion – Giuseppe Penone Richard Pettibone - Gianni Piacentino – Nicola Ponzio – Emilio Prini – Carol Rama Man Ray – Ed Ruscha - Salvo – Mario Schifano – Judith Shea – Ayumi Shibata – Nancy Spero – Caryl Stern - William Villalongo – Gilberto Zorio
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| Nadia Martinez, Tree Under Construction/ Self-portrait, 2010 |
1083 Fifth Avenue
October 2–November 7
From Milton Gendel’s reviews in Art News of Alberto Burri’s work to Cy Twombly’s perennial presence on the Italian peninsula, the postwar art scenes in Italy and the United States have long enjoyed a good degree of cross-fertilization. “On the Relativity of Distance (and Some of its Consequences)” takes up this intersection, the first part featuring work by artists practicing in both countries between the mid-1960s and the mid-1970s and the second segment featuring work by contemporary artists at the National Academy School who have worked under the sway of this earlier generation. Rather than tracing a precise genealogy of influence, curators Filippo Fossati and Maurizio Pellegrin have put into play a number of striking juxtapositions, letting the art speak for itself.
In its cool, offhand absorption of Pop, the stenciled cover of Ed Ruscha’s Twentysix Gasoline Stations, 1963, echoes in Alighiero Boetti’s unfussy Manifesto, 1968, a list of fellow artists’ names. With coded symbols accompanying each name, however, the latter adds a subtle, conceptual dimension that speaks volumes about the decade’s intervening aesthetic trajectory. Holland Cunningham’s painting Palms Sky, 2013, seems to dialogue casually with John Baldessari’s Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973, while Carol Rama’s Bricolage, 1969, dialogues most forcefully with an early work by Piero Manzoni. Manzoni’s precedent loomed large for the Arte Povera generation, taking pride of place here with work by Pino Pascali and Giulio Paolini among others. Equally notable is the extent to which the more recent work on view has largely exchanged certain conceptual and minimal devices for a more straightforward figuration. Among newer pieces, Nicus Lucà’s Caravaggio, 2008, and Karen Lindsay’s photogram Constellations: Summer, 2012, with plantlike silhouettes set off against a striking blue, replay repeated looks in their formal detail.
From Milton Gendel’s reviews in Art News of Alberto Burri’s work to Cy Twombly’s perennial presence on the Italian peninsula, the postwar art scenes in Italy and the United States have long enjoyed a good degree of cross-fertilization. “On the Relativity of Distance (and Some of its Consequences)” takes up this intersection, the first part featuring work by artists practicing in both countries between the mid-1960s and the mid-1970s and the second segment featuring work by contemporary artists at the National Academy School who have worked under the sway of this earlier generation. Rather than tracing a precise genealogy of influence, curators Filippo Fossati and Maurizio Pellegrin have put into play a number of striking juxtapositions, letting the art speak for itself.
In its cool, offhand absorption of Pop, the stenciled cover of Ed Ruscha’s Twentysix Gasoline Stations, 1963, echoes in Alighiero Boetti’s unfussy Manifesto, 1968, a list of fellow artists’ names. With coded symbols accompanying each name, however, the latter adds a subtle, conceptual dimension that speaks volumes about the decade’s intervening aesthetic trajectory. Holland Cunningham’s painting Palms Sky, 2013, seems to dialogue casually with John Baldessari’s Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973, while Carol Rama’s Bricolage, 1969, dialogues most forcefully with an early work by Piero Manzoni. Manzoni’s precedent loomed large for the Arte Povera generation, taking pride of place here with work by Pino Pascali and Giulio Paolini among others. Equally notable is the extent to which the more recent work on view has largely exchanged certain conceptual and minimal devices for a more straightforward figuration. Among newer pieces, Nicus Lucà’s Caravaggio, 2008, and Karen Lindsay’s photogram Constellations: Summer, 2012, with plantlike silhouettes set off against a striking blue, replay repeated looks in their formal detail.
http://artforum.com/picks/section=nyc&mode=past
American & Italian Art From the 1960s On View at the National Academyhttp://www.fineartconnoisseur.com
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| American & Italian Art From the 1960's |
American & Italian Art From the 1960s On View at the National Academyhttp://www.fineartconnoisseur.com
Friday, June 21, 2013
XVI Salón SuperCable Jóvenes con FIA
This coming Sunday, June 23, 2013 will be the inauguration of the XVI Salón SuperCable Jóvenes con FIA in Caracas, Venezuela. I'm proud to announce that I was on of the 20 artists selected to participate in it with my sculpture "La Fuente de la Juvented"
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| La Fuente de la Juventud Resistors, PVC and wire 2013 © Nadia Martinez |
Emilio Narciso proposes a youth room to see, touch and feel
The creations of 20 artists under 35 years old dialogue with the idea polisensorialidad.
Sculptures touch, an atmosphere that includes mandalas projected on the ceiling and a pouf, grocery items, musical instruments and designed to sit dimensional pieces are part of the XVI edition of Salon Supercable Jovenes with FIA, which this year commitment to the art polisensorialidad . The confrontation will be inaugurated on Sunday with the participation of 20 artists under 35 years old, a group of invited artists and Contact Group, which brings together creators blind.
the curator Emilio Narciso, who built his story exhibition based on the theme "The practice of fiction".
Sculptures touch, an atmosphere that includes mandalas projected on the ceiling and a pouf, grocery items, musical instruments and designed to sit dimensional pieces are part of the XVI edition of Salon Supercable Jovenes with FIA, which this year commitment to the art polisensorialidad . The confrontation will be inaugurated on Sunday with the participation of 20 artists under 35 years old, a group of invited artists and Contact Group, which brings together creators blind.
the curator Emilio Narciso, who built his story exhibition based on the theme "The practice of fiction".
"The practice of fiction" is the premise from which 20 artists - 18 Venezuelans and 2 foreign-created a work of art this Sunday aspires to be one of the three awardees with FIA Young Hall.
Read more here
"The practice of fiction" is the premise that leads the event, which will present the creations of young people under 35 years covering the practice of painting, photography, drawing, collage, sculpture, performance, installation and sound art."Read more here
Read more here
Multidisciplinary Fiction Youth with FIA
Reclaiming reality from fiction . That's the premise of XVI Salon Supercable Jovenes con FIA which opens this Sunday in Banking Corp spaces. Its curator, Emilio Narciso, conceived the show as a body of work that explores on the creative capacity that is enhanced from fiction to create worlds that challenge reality.Read more here"The practice of fiction" is the premise that leads the event, which will present the creations of young people under 35 years covering the practice of painting, photography, drawing, collage, sculpture, performance, installation and sound art."Read more here
Labels:
El Bosque de Qualtron,
FIA,
Press,
Salon de Jovenes,
Venezuela
Location:
Caracas, Venezuela
Wednesday, May 29, 2013
Tuesday, April 2, 2013
At the Affordable Art Fair NY 2013
This are some of the pieces that will be at the Affordable Art Fair this week, stop by D'Museo booth C-7


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Abundancia
Circuit boards, wire and phone jacks
Installation
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Donde esta la olla de oro?
Wire and connectors
Installation
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Camino al Inconsciente
Juction shells
Installation
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You can see more of my latest pieces here www.nadiamartinez.com
Wednesday, July 11, 2012
Faculty Exhibition
Faculty Work Exhibitions | National Academy Museum and School
Faculty Exhibition
May 23 – August 25
Works by Sam Adoquei, Barney Hodes, Nadia Martinez, Kamilla Talbot, Brandon Soloff
Each semester the National Academy School presents its Faculty Exhibition which highlights recent work by the members of the faculty. The School’s professional artists and art educators teach various media from figure drawing to mixed media, sculpture, painting and pastel, watercolor and printmaking. The exhibitions are on view in the newly renovated Faculty Gallery.
Gallery hours:
Monday – Thursday, 9 AM – 8 PM
Friday, 9 AM – 5 PM
Saturday, 9 AM – 4 PM
Monday – Thursday, 9 AM – 8 PM
Friday, 9 AM – 5 PM
Saturday, 9 AM – 4 PM
Free and open to the public
Tuesday, April 3, 2012
Friday, February 24, 2012
KiptonArt enables interior designers to source emerging artists
The Editor at Large
KiptonArt enables interior designers to source emerging artists
Posted on Tuesday, February 22, 2011.
KiptonArt, the online gallery for emerging artists, has announced the
launch of an invitation-only Interior Design Studio, enabling designers
to share art with clients through online portfolios, and search over
$33 million of art by price, style and medium.

Canti Chair by Brad Luczak
"The inspiration came from our desire to make it easy for Interior
Designers to access the most cutting edge emerging artists," said
KiptonART founder Kipton Cronkite. "We are seeing massive interest
from interior designers (in emerging art) and this is something they have
been asking us to develop."
A personalized art advisory service will be launched in coming months
to help designers navigate the 8,700 images and 1,550 artists in the
database.

Los Comunicadores by Nadia Martinez
launch of an invitation-only Interior Design Studio, enabling designers
to share art with clients through online portfolios, and search over
$33 million of art by price, style and medium.
Canti Chair by Brad Luczak
"The inspiration came from our desire to make it easy for Interior
Designers to access the most cutting edge emerging artists," said
KiptonART founder Kipton Cronkite. "We are seeing massive interest
from interior designers (in emerging art) and this is something they have
been asking us to develop."
A personalized art advisory service will be launched in coming months
to help designers navigate the 8,700 images and 1,550 artists in the
database.
Los Comunicadores by Nadia Martinez
Sunday, September 4, 2011
Wednesday, April 6, 2011
Thursday, November 11, 2010
Friday, July 16, 2010
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