Friday, May 8, 2026

Quisiera Estar Allí Contigo, SS26, in El Salvador


Quisiera Estar Allí Contigo, SS26

Participatory work | Canvas, marker, and collective writing

Recently, Quisiera Estar Allí Contigo, SS26 opened in El Salvador as part of a collaborative exhibition. Although I could not be physically present for the opening, the work itself emerged precisely from that impossibility.

The piece began with a simple but difficult truth: I wanted to be there, and I could not.

From that absence came an invitation.


At the center of the installation is a blank canvas that visitors are invited to intervene with by writing the name of someone they wish could be present with them, along with the date. As the exhibition unfolds, the canvas slowly transforms into a living archive of longing, memory, affection, and connection.

Some names belong to people who live far away. Others belong to those who could not attend. Some belong to people who are no longer alive. The work does not distinguish between these forms of absence. Instead, it holds them together with equal tenderness, allowing each participant to momentarily bring someone into presence through the act of naming.

What interests me deeply about this gesture is its simplicity. Writing a name is small, almost fragile, yet it carries enormous emotional weight. A single inscription becomes evidence of attachment, memory, grief, care, and desire. The canvas becomes populated not by bodies, but by relationships.

As more names accumulate, the piece evolves into a collective emotional landscape — a constellation of people carried across geography, time, and even death through acts of remembrance. The work does not attempt to resolve absence or erase distance. Rather, it makes visible the ways we continue loving across impossibility.

Seeing the canvas fill during the opening was profoundly moving. What began as my own inability to be present expanded into a shared space where others could articulate their own forms of longing and connection. The work now belongs as much to the participants as it does to me.

These images, from the opening night and the evolving canvas, document only part of the piece. The true work exists in the accumulation of gestures, in the names written by strangers, and in the invisible relationships those names carry with them.








Quisiera Estar Allí Contigo, SS26 continues to grow throughout the exhibition, sustained entirely through participation.

Thank you to everyone who has made someone present through this work.


Exhibition information 

Expográfica Línea Incidente

Reception Thursday, April 30, 2026, at 6:00 pm

Sala Nacional de Exposiciones Salarrué

6ª y 10ª Cl. Pte. y Parque Cuscatlán, 25 Avenida Sur 

San Salvador, El Salvador

Monday, March 10, 2025

Línea Disidente Exhibition, El Salvador


Expográfica Línea Disidente at the Sala Nacional de Exposiciones Salarrué in San Salvador, El Salvador

I am delighted to announce that my artwork, Colgando Entre Hilos y Palabras (Hanging Between Threads and Words) 2024, is part of the exhibition Línea Disidente in El Salvador. Exhibition organized by i:Taller



Short guided tour conducted by Mtra. Alejandra Cabezas, through some of the works of Línea Disidente, at the Salarrué National Exhibition Hall during the opening ceremony on January 24, 2025.


Article by Diario El Salvador, "La reinvención del dibujo, en la Sala Salarrué"


Colgando Entre Hilos y Palabras, 2024 by Nadia Martínez Fabric, paper, graphite, thread, frayed sweater, and gauze. 78 3/4 x 58 inches (2.00 x 1.50 meters) 

Colgando Entre Hilos y Palabras, 2024
by Nadia Martínez
Fabric, paper, graphite, thread, frayed sweater, and gauze.
78 3/4 x 58 inches (2.00 x 1.50 meters)

"Suspended Between Threads and Words" addresses the universal themes of grief, emotional numbness, and healing from an intimate and reflective perspective. Presented as a personal letter, I invite the viewer to join me in a process of letting go and untangling memories and emotions while redefining the meaning and purpose of my experience. The thread, a central element in this work, acts as a unifying symbol. It functions as a line of connection that intertwines the pieces, just like the illegible writing in the composition. This resource underscores the complexity of navigating grief and finding healing. 
Some of the selected materials have a deeply symbolic character. I use impulsive purchases as a representation of emotional distractions that offer temporary relief from sadness and pain. A notable example is the thread recovered from a compulsively acquired sweater, which was undone and reused.    This gesture of transforming the discarded into something new embodies acceptance and the creative potential that arises from letting go. 
The loose threads and letters in the work reflect my awareness of my emotional patterns and my process of detachment as I traverse the path to healing. In this narrative, immediate gratification is contrasted with delayed gratification, suggesting that patience and effort lead to deeper and more lasting healing. 
The technique employed in this work combines elements of sewing, layering, and writing. I use threads of different textures and colors to create a visually tactile composition. Machine stitching, in some places, reinforces the connections; in others, it is an interrupted process, with short stitches that begin and end without knots, emphasizing the fragility and ephemerality of instant satisfaction to express my emotions tangibly. 
The panels are letters and texts written by hand on fabric. These written elements, although illegible, add a dimension of intimacy and personalization, inviting the viewer to interpret and connect with the narrative individually. The combination of these techniques not only enriches the work visually but also reinforces the central theme of healing through creation and transformation. Each stitch and fragment of text contribute to the construction of a complex and multifaceted narrative about grief and recovery. This piece invites us not only to observe but also to reflect on our own cycles of grief, distraction, and healing and the possibility of finding beauty and meaning in what remains after loss.






Thursday, October 10, 2024

Faculty Exhibition 2024, New York School of the Arts


I am delighted to announce that my artwork, In Search of Sweetness, 2022, featuring Polaroids and bagasse, is currently being showcased at the New York School of the Arts' Faculty Exhibition.


Nadia Martinez, In Search of Sweetness, 2022






















Faculty Exhibition
October 17 to November 30, 2024

Reception Thursday, November 14th, 2024, from 5:30 pm to 7:30 pm




New York School of the Arts & THE HUB Center for the Arts
315 E 62nd Street 2nd & 6th Floors, New York, NY 10065
www.newyorkschoolofthearts.org

Sunday, July 28, 2024

Artist in Residence at VCFA Summer 2024

Vermont College of Fine Arts Summer 2024 in Colorado Spring

I had the incredible honor of being the Artist in Residence for the MFA Visual Arts Program at VCFA’s 2024 Summer Residency at Colorado College in Colorado Springs! I was beyond thrilled to share this fantastic experience with my vibrant community of artists and colleagues!

 

I gave an artist talk and student art critiques, created an artwork, and invited the students and faculty to participate.

During my residency, I worked on a project inspired by VCFA's recent transitions. These included announcing the sale of the buildings in Vermont, relocating residencies to Colorado and Pennsylvania, and partnering with CalArts in California.
As an alumni who loves VCFA and understands how these changes have impacted many individuals, the piñata project aimed to provide a break from the negative news, stress, and anxiety brought on by these changes and encourage a more optimistic outlook for VCFA's future.

I made the piñata shaped like VCFA’s VT main building using a wire from Vermont. I also used a newspaper from Colorado to shape the piñata as a reminder of its last residency before going to California. The wrapping paper was made from copies of all the news articles I could find about VCFA’s transmission. The candies inside were Lifesavers wrapped with the CalArts logo.

The first person to hit the piñata was one of the Visual Arts Program’s Co-Chair. The second person was the VA Program’s Director, followed by the graduate students, some of the last to attend VCFA in Vermont. Then, students from different semesters, including one who had just started the program, took turns. It was important to me that even those less familiar with VCFA’s transition took part because it also affects their future.






Friday, May 31, 2024

In the Search of Hidden Things, Contemporary Art From Central America

I'm thrilled to announce that I will be participating in the exhibition In the Search of Hidden Things, Contemporary Art From Central America.


In the Search of Hidden Things, Contemporary Art From Central America
July 5th to July 28th, 2024


Mansion #18, Nolan Park
Governors Island, NY

Participating Artists: Alejandro de la Guerra, Blanca Niño, Camila Borrero, Cesar T. Chox, Edwin Soriano, Ivanna Yujimets Hernández, John Paul Fauves, Lucia Madriz, Nadia Martínez, Patricia Belli, Rafael Gonzalez, Regina José Galindo, Sofía Verzbolovskis, Victor Cruz & Hugo Portillo.

Associate Curator: Alexander Wtges

Nadia Martinez, Between the Lines, 2019


Monday, March 4, 2024

Tridimensional, Galería D’Museo, Venezuela

I'm pleased to announce that I will participate in the Tridimensional exhibition at Galería D'Museo in Caracas, Venezuela. I first exhibited Fuente de la Juventud at XVI Salón Super Cable Jóvenes con FIA in Caracas, Venezuela 2013. 

Tridimensional
March 2 - April 21, 2024

Opening reception: March 2nd, 2024

Galería D’Museo
Centro de Artes los Galpones (G2)
Transversal 8 con Av. Ávila, Los Chorros
Caracas, Venezuela


Participating Artists: Alberto Asprino · Samuel Baroni · Pedro Barreto · Gilberto Bejarano · Ricardo Cárdenas · Jesús Caviglia · Isabel Cisneros · Manuel de la Fuente · Luis Toto García · Giorgio Gori · Óscar Machado · Ángel Marcano · Noemí Márquez · Francisco Martínez · Nadia Martínez · Pedro Morales · Gabriel Morera · Saz Oner · Aureliano Parra · Francisco Pereira · Héctor Poleo · Carlos Prada · Reymond Romero · Iván Rojas · Marcos Salazar Delfino · Efraín Ugueto · Hugo Zapata · Cornelis Zitman


Fuente de la Juventud, Nadia Martinez
Nadia Martinez, Fuente de la Juventud, PVC, resistors and wire


Friday, June 30, 2023

If You're ___ & You Know It" at The Norwalk Art Space


If You’re ____ & You Know It: Identifying Emotions at The Norwalk Art Space

June 16th - September 7th, 2023

Curated by Kor
ry Fellow Isabella Montenegro a
nd featuring artists June Ahrens, Melissa Benedek, Casey Correra, Kasimir Comunale, Chelsea Danburg, Erin Dolan, Britt Garth, Brett Masterson, Nadia Martinez, Russell Miyaki, Chris Sainato, Sharon Smalls, Brea Thomas-Young, Kelly Walters 

 

If we don’t tell people how we feel, how will they know? Communication is key. There are five types of communication: verbal, non-verbal, written, listening, and visual. All of which you can experience through this exhibition. As you wander the exhibition, you may question pieces and their meaning. However, take the time to be open-minded and accept that the first thing you see, hear, watch, etc., is an experience that is a more personal feeling or emotion for your own self. Understanding that there is no right or wrong answer in art is powerful, and using this practice to openly and freely communicate complex emotions could create the key to unlocking a more compassionate and open-minded society.

 

If You’re ____ & You Know It: Identifying Emotions is a group exhibition with artwork examining the concepts of feelings and emotion through art; not just through paintings but also through music, creative writing, dance, poetry, etc. The contributing artists were asked to consider the following theme: "Identifying Emotions''. The artist's responses will be presented in The Norwalk Art Space in an effort to show how they have used their practice to communicate their feelings and emotions through art. During the exhibition artists' work will be sold, if they so choose, with thirty percent of the proceeds donated to The Norwalk Art Space in support of its mission.

 

The Norwalk Art Space strives to increase opportunities and equity in the local arts community by offering free art and music education and mentorship to under-served students, sponsoring and promoting local artists through its Resident Artist program and Korry Fellow exhibitions, and providing the public an exciting venue to explore art and music, all free.


Fragmented Memory (The Impact), 2023 and Untitled (Fragmented Memories), 2021, Nadia Martinez
Fragmented Memory (The Impact), 2023 and Untitled (Fragmented Memories), 2021






The artist talks with Isabella Montenegro, Korry Fellow and Curator of the exhibition If  You're ___ & You Know It at The Norwalk Art Space.
Isabella will lead a discussion with 8 incredible artists from the exhibition, so don't miss this opportunity to gain insight into their creative processes, inspirations, and the stories behind their thought-provoking artworks. It's a chance to dive deep into the minds of these talented individuals who have contributed their unique perspectives to the exhibition.


Date: August 6th, 2023
Time: 3-4:30 PM
Location: The Norwalk Art Space, 455 West Ave, Norwalk, CT 06850

Featured artists:
June Ahrens
Kasimir Comunale
Casey Correra
Britt Garth
Nadia Martinez
Sharon Smalls
Brea Thomas-Young

Kelly Walters

Sunday, March 26, 2023

In Light Of, three-person exhibition, Crown Gallery

In Light Of 


Bridgeport, CT — The Crown Gallery, nestled within the historic walls of the Metro Arts Studio, has unveiled an extraordinary exhibition that transcends the ordinary. “In Light Of” invites visitors to explore the interplay between light and dark, textures and materials—a captivating dance that weaves themes of perception, environment, connection, and separation.

As you step into the gallery, the air hums with anticipation. The space itself seems to breathe—a symphony of old and new, where the echoes of the past harmonize with contemporary expression. The Crown Corset factory building, now beautifully renovated, cradles this artistic haven on its ground floor.


The exhibition features sculptures, installations, and prints, each a universe unto itself created by Tamara DimitriNadia Martinez, and Debbie Smith—the trio of participating artists—The serenity of the surface belies the depths beneath. As light dances across these works, it reveals hidden currents—an invitation to plunge into the artist’s psyche. Their shared language transcends mere materials; it speaks of resilience, longing, and the human need for connection.

“In Light Of” is more than an exhibition; it’s an odyssey. As you move through the gallery, allow your senses to merge with the play of light and shadow. Let the whispers of history and the pulse of the present guide you. Perhaps, just perhaps, you’ll find yourself between worlds—where the ordinary becomes extraordinary, and the darkness holds its own luminescence.


My sculptural installations and prints featured are: "Between the Lines," "Finding Beauty in the Cracks," "Say It Loud but With Love," and "Touched by a Thousand Hands."

These pieces confidently celebrate resilience with boldness and tenderness. The resistors symbolize strength, while the crystals refract light, echoing hope. The imperfections, the cracks, reveal hidden beauty. Just as orange peels bear scars, our own vulnerabilities can be sources of strength, and the 24K gold adds value while highlighting the break. Each resistor represents a touch, a connection. When combined, they form a powerful network, a testament to our shared humanity. The fabric absorbs ink, preserving fleeting thoughts and unspoken stories.

Nadia Martinez, Exhibition In Light Of, Crown Gallery at Metro Art Studio



Exhibition Details:

  • Title: In Light Of
  • Dates: March 26 to May 6, 2023
  • Location: Crown Gallery @ Metro Arts Studio, Bridgeport, CT

Join us in this luminous exploration. The gallery doors await, and within them, a thousand stories unfold.

Crown Gallery 345 Railroad Ave, Bridgeport, CT, 06604 Gallery Hours: Thursday through Saturday, 12 to 4 PM (and by appointment)



Wednesday, November 2, 2022

Faculty Exhibition 2022, NYSA

The Faculty Exhibition 2022 - 2023 at the New York School of the Arts showcased the diverse talents of faculty members. It was a vibrant celebration of creativity, innovation, and artistic vision.

My artwork is a three-piece installation titled Ways of Seeing, 2021, 2022, highlighting various mediums, including drawing, sculpture, and photography.

The installation explores the concept of perception, inviting viewers to engage with art in new and thought-provoking ways. The title suggests multiple layers of interpretation regarding how we perceive the world. The photograph collage comprises hundreds of detailed photographs of the sculpture, and the drawing depicts the sculpture. Each piece shows a different state of the sugar sculpture as it transforms over time.
Nadia Martinez, Ways of Seeing, 2021, 2022


Faculty Exhibition 
on view September - November 2022

New York School of the Arts, 315 E 62nd Street, 2nd Floor, New York, NY 10065. www.newyorkschoolofthearts.org 

Tuesday, April 19, 2022

Solo Exhibition PROMISE OF SWEETNESS

Solo Exhibition

PROMISE OF SWEETNESS


May 14 to June 12, 2022

Stamford Art Association
39 Franklin Street, Stamford, CT 06901
stamfordartassociation.org






Nadia Martinez's skill at controlling materials and transforming them into graceful, delicate forms of expression are refreshing and inspiring. In this body of work, by using sugar as her material, Nadia surrenders control and embraces process as a new aesthetic form, creating the conditions for generosity, contemplation, and discovery.

She questions the idea of "instant gratification." By revisiting a happy memory instead of relying on contemporary narratives of happiness and sweetness that Capitalism has promoted.
Nadia shares a happy memory with the public, and in exchange, she invites the viewer to do the same thing.


"These trying times have had everyone looking for comfort. In my search, I went deep into my childhood memories, back to "La Sierpe," my grandpa's molienda, his artisanal sugarcane mill, and plantation, and found my sweet and happy place—a wonderful space to escape from everything happening around me. In that memory, I found a new meaning for 'sweetness' that went beyond something that could be experienced with one sense. Remembering my family working together to make from scratch something sweet, I realized that the sweetness that I was looking for was found in community, traditions, and laughter. My project, Promise of Sweetness, chronicles the growing of sugarcane from seed to plant in an effort to conjure this happiness." – Nadia Martinez




Saturday, September 25, 2021

Exhibition A LA CARTA, Galería D'Museo, Venezuela.

I'm pleased to announce that three pieces of my Ways of Seeing series will be exhibited at Galería D'Museo in Caracas, Venezuela.

A LA CARTA
Septembre 2021 to February 2022

Opening: Thursday, September 16, 2021
11 am - 4 pm

Galería D’Museo
Centro de Artes los Galpones (G2)
Transversal 8 con Av. Ávila, Los Chorros
Caracas, Venezuela

Participating Artists: Susan Applewhite, Ricardo Arispe, Rafael Arteaga, Eduardo Azuaje, Yudith Contreras, Nadia Martínez, Dianora Pérez, Gabriel Pérez, Juan Toro Diez, Alejandro Torrealba, Efraín Ugueto y José Vivenes.





Saturday, July 24, 2021

MFA in Visual Art, S21 Residency Exhibition

My installation Untitled (Givers and Takers) 2021 was part of the virtual exhibition
MFA in Visual Art, Summer Residency Exhibition

Vermont College of Fine Arts
July 22 - October 22, 2021











Monday, March 1, 2021

Exhibition "The Body," New York School of the Arts

 My video Interpretations was included in this exhibition

The Body

March 1 - April 15, 2021

NYSA and HUB galleries & Virtual Show

Works in the exhibition reference the central theme of The Body: the body as a whole, a portion or fragment of the body, the idea of the body, the abstraction of the body, internal organs or physicality of the external body, the dream of the body, the imagined body, and the body either present or absent. Works include the body in all its forms, ideas, and concepts.

View Here

Monday, February 8, 2021

Tell Me Another Story, a Viewing Room from the K. Caraccio Collection

 I had the privilege to curate a Viewing Room from the K. Caraccio Collection. Tell Me Another Story

Curated by Nadia Martinez

Works by Vladimir Adreenkov, Arun Bose, Isabel Bigelow, Lamar Briggs, Alexander Brodsky and Ilya Utkin, Kathy Caraccio, Hugh Kepets, Stephen Lorber, Takahiro Maruno, Louise Nevelson, and Doris Seidler.

This selection of prints from 1954 to 2017 walks a fine line between figurative and abstraction, where colors, shapes, textures, and compositions create narratives, allowing our imagination to construct our own stories.

A door that just closed or it’s about to open, a full moon, or a cold afternoon. Would he cross to the other side? What is behind that opening?

Visit the Viewing Room HERE https://www.kcaracciocollection.com/tellmeastory

Catalog Here



Sunday, January 31, 2021

VCFA MFA in Visual Art, Wnie2020 Residency Exhibition

My video Interpretations was part of the virtual exhibition

Vermont College of Fine Arts

MFA in Visual Art, Summer Residency Exhibition
On view January 21 - March 21, 2021




A Social Practice Project and Film 
INTERPRETATIONS 2021 
Film duration 5:37 min 
Directed and Edited by Nadia Martinez 

Participants: Leonor Mendoza & Daniela Recabarren Nicholas Lima Dennis Bourke & Elizabeth Marshall Rai Sanna Bethany LeJeune Tori JD Karen Lindsay A_Marcel Bearpaw Timber & Maiyan.

Monday, August 24, 2020

Curatorial Project: Together Exhibition

I was one of the recipients of the Connecticut Artists Respond Grant Program supported by the Connecticut Office of the Arts.


The Connecticut Office of the Arts recognizes that artists help through challenging times and is committed to investing in artists' ability to provide respite through inspiration, connection, and education. The Connecticut Artists Respond Grant Program provided funding to artists and teaching artists to support the creation and presentation of free and accessible on-line arts-based experiences, learning opportunities, and services to audiences across Connecticut - and beyond - using the World Wide Web.


I created an open call for artists for a virtual exhibition titled Together, and the selected artists were invited to participate in a workshop.

www.nowaboutart.com 


View the virtual exhibition click Here

Exhibition Catalog Here

TOGETHER

Virtual Exhibition

September 3 to October 1, 2020

Curated by Nadia Martinez


During these past months, we have experienced the power of coming together and staying together while staying apart. The artwork selected for this exhibition express in different ways unity, connection, integration, and togetherness.


Together
Sometimes it’s a collaboration
Sometimes it’s is a tribute to someone you admire or care for
Sometimes it’s a necessity
Sometimes is something that we see and make us think of unity and togetherness
Sometimes are the circumstances
Sometimes are the connections we make
Sometimes is a wish
Sometimes it’s so much more.






The Exhibition is made possible with the support of the Department of Economic and Community Development/Connecticut Office of the Arts.
Acknowledging COA Support


More information here http://www.nowaboutart.com/news/togethervirtualexhibition