Everybody collaborated and made their mark!
Tuesday, December 3, 2013
La Voz del Pueblo
de la exposición de la pintora hondureña Nadia Martínez que está presentándose en la Stamford Art Association desde el 17 de noviembre y hasta el 15 de diciembre en esta ciudad.
Gracias a Guadalupe Ramos por el articulo!
El Sol News
“DONDE ESTÁ TU CORAZÓN”, UNA EXHIBICIÓN PARA REFLEXIONAR
STAMFORD.- La artista hondureña, Nadia Martínez, inauguró la exhibición “¿Dónde está tu corazón?”, con el fin de reflexionar sobre las situaciones de la vida y tomar el lado positivo de todas las cosas.Martínez explicó a EL SOL News que la exhibición consiste en una carpa construida con paredes de lona que actúa como una habitación dentro de la sala. Las personas (sólo una a la vez), pueden entrar y hacer su propia línea, con un marcador, a lo largo de las paredes, a la altura de su corazón, de esa manera, la experiencia es privada entre el participante y su corazón.
“¿Dónde está tu corazón?”, es la pieza principal de la exhibición y el elemento clave es la participación del espectador, se dio a conocer.
“En lo que caminas dejando la marca de tu corazón, en la pared, “¿Dónde está tu corazón?”, te invita a reflexionar sobre tus sueños, tus esperanzas, y tus creencias. Al hacer este ejercicio, considera que tú estás listo para dejar una huella importante en este mundo como la marca que estás dejando dentro de las paredes de esta carpa, aunque sea una marca anónima”, declaró Martínez. Read More
Gracias a Jose Armstrong por el articulo.
“¿Dónde está tu corazón?”, es la pieza principal de la exhibición y el elemento clave es la participación del espectador, se dio a conocer.
“En lo que caminas dejando la marca de tu corazón, en la pared, “¿Dónde está tu corazón?”, te invita a reflexionar sobre tus sueños, tus esperanzas, y tus creencias. Al hacer este ejercicio, considera que tú estás listo para dejar una huella importante en este mundo como la marca que estás dejando dentro de las paredes de esta carpa, aunque sea una marca anónima”, declaró Martínez. Read More
Gracias a Jose Armstrong por el articulo.
Saturday, November 9, 2013
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Where Your Heart Is...
Nadia Martinez
Solo Exhibition
November 17 - December 15Saturday, November 23rd, 2013
5:00 to 7:00 pm
Stamford Art Association
39 Franklin Street, 2nd FloorStamford, CT 06901
View Map
Gallery hours:
Thursday & Friday 11:00 am - 3:00 pm, Saturday & Sunday noon - 3:00 pm
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Tuesday, October 1, 2013
On the Relativity of Distance
(and some of its consequences):
American and Italian Art, 1963 – 2013
Curated by Filippo Fossati and Maurizio Pellegrin.
On view at the National Academy School from October 2 – November 7, 2013.
Please join us for the opening reception October 3 from 5:30- 8 PM.
This exhibition presents artwork created by renowned American and Italian artists during the 1960s and ‘70s as well as National Academy students and faculty who were influenced or affected by the aesthetic ideas and materials of that period.
Giovanni Anselmo – Ingo-Heinrich Appel – Robert Arneson – Cristina Avello - John Baldessari – Alighiero Boetti – Alexander Calder – Vittoria Chierici – Christo - Pirro Cuniberti – Holland Cunningham – Roshanak Elmendorf – Daniele Galliano - Marco Gastini – Piero Gilardi – Gianfranco Gorgoni – Floor Grootenhuis – Gary Kuehn - Karen Lindsay – Nicus Lucà – Piero Manzoni – Alfredo Martinez – Nadia Martinez - Fausto Melotti – Jeffry Mitchell – Paolo Mussat Sartor – Richard Nonas – Dennis Oppenheim - Giulio Paolini – Pino Pascali – Paolo Pellion – Giuseppe Penone Richard Pettibone - Gianni Piacentino – Nicola Ponzio – Emilio Prini – Carol Rama Man Ray – Ed Ruscha - Salvo – Mario Schifano – Judith Shea – Ayumi Shibata – Nancy Spero – Caryl Stern - William Villalongo – Gilberto Zorio
NATIONAL ACADEMY MUSEUM & SCHOOL
1083 Fifth Avenue
Curated by Filippo Fossati and Maurizio Pellegrin.
On view at the National Academy School from October 2 – November 7, 2013.
Please join us for the opening reception October 3 from 5:30- 8 PM.
This exhibition presents artwork created by renowned American and Italian artists during the 1960s and ‘70s as well as National Academy students and faculty who were influenced or affected by the aesthetic ideas and materials of that period.
Giovanni Anselmo – Ingo-Heinrich Appel – Robert Arneson – Cristina Avello - John Baldessari – Alighiero Boetti – Alexander Calder – Vittoria Chierici – Christo - Pirro Cuniberti – Holland Cunningham – Roshanak Elmendorf – Daniele Galliano - Marco Gastini – Piero Gilardi – Gianfranco Gorgoni – Floor Grootenhuis – Gary Kuehn - Karen Lindsay – Nicus Lucà – Piero Manzoni – Alfredo Martinez – Nadia Martinez - Fausto Melotti – Jeffry Mitchell – Paolo Mussat Sartor – Richard Nonas – Dennis Oppenheim - Giulio Paolini – Pino Pascali – Paolo Pellion – Giuseppe Penone Richard Pettibone - Gianni Piacentino – Nicola Ponzio – Emilio Prini – Carol Rama Man Ray – Ed Ruscha - Salvo – Mario Schifano – Judith Shea – Ayumi Shibata – Nancy Spero – Caryl Stern - William Villalongo – Gilberto Zorio
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| Nadia Martinez, Tree Under Construction/ Self-portrait, 2010 |
1083 Fifth Avenue
October 2–November 7
From Milton Gendel’s reviews in Art News of Alberto Burri’s work to Cy Twombly’s perennial presence on the Italian peninsula, the postwar art scenes in Italy and the United States have long enjoyed a good degree of cross-fertilization. “On the Relativity of Distance (and Some of its Consequences)” takes up this intersection, the first part featuring work by artists practicing in both countries between the mid-1960s and the mid-1970s and the second segment featuring work by contemporary artists at the National Academy School who have worked under the sway of this earlier generation. Rather than tracing a precise genealogy of influence, curators Filippo Fossati and Maurizio Pellegrin have put into play a number of striking juxtapositions, letting the art speak for itself.
In its cool, offhand absorption of Pop, the stenciled cover of Ed Ruscha’s Twentysix Gasoline Stations, 1963, echoes in Alighiero Boetti’s unfussy Manifesto, 1968, a list of fellow artists’ names. With coded symbols accompanying each name, however, the latter adds a subtle, conceptual dimension that speaks volumes about the decade’s intervening aesthetic trajectory. Holland Cunningham’s painting Palms Sky, 2013, seems to dialogue casually with John Baldessari’s Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973, while Carol Rama’s Bricolage, 1969, dialogues most forcefully with an early work by Piero Manzoni. Manzoni’s precedent loomed large for the Arte Povera generation, taking pride of place here with work by Pino Pascali and Giulio Paolini among others. Equally notable is the extent to which the more recent work on view has largely exchanged certain conceptual and minimal devices for a more straightforward figuration. Among newer pieces, Nicus Lucà’s Caravaggio, 2008, and Karen Lindsay’s photogram Constellations: Summer, 2012, with plantlike silhouettes set off against a striking blue, replay repeated looks in their formal detail.
From Milton Gendel’s reviews in Art News of Alberto Burri’s work to Cy Twombly’s perennial presence on the Italian peninsula, the postwar art scenes in Italy and the United States have long enjoyed a good degree of cross-fertilization. “On the Relativity of Distance (and Some of its Consequences)” takes up this intersection, the first part featuring work by artists practicing in both countries between the mid-1960s and the mid-1970s and the second segment featuring work by contemporary artists at the National Academy School who have worked under the sway of this earlier generation. Rather than tracing a precise genealogy of influence, curators Filippo Fossati and Maurizio Pellegrin have put into play a number of striking juxtapositions, letting the art speak for itself.
In its cool, offhand absorption of Pop, the stenciled cover of Ed Ruscha’s Twentysix Gasoline Stations, 1963, echoes in Alighiero Boetti’s unfussy Manifesto, 1968, a list of fellow artists’ names. With coded symbols accompanying each name, however, the latter adds a subtle, conceptual dimension that speaks volumes about the decade’s intervening aesthetic trajectory. Holland Cunningham’s painting Palms Sky, 2013, seems to dialogue casually with John Baldessari’s Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973, while Carol Rama’s Bricolage, 1969, dialogues most forcefully with an early work by Piero Manzoni. Manzoni’s precedent loomed large for the Arte Povera generation, taking pride of place here with work by Pino Pascali and Giulio Paolini among others. Equally notable is the extent to which the more recent work on view has largely exchanged certain conceptual and minimal devices for a more straightforward figuration. Among newer pieces, Nicus Lucà’s Caravaggio, 2008, and Karen Lindsay’s photogram Constellations: Summer, 2012, with plantlike silhouettes set off against a striking blue, replay repeated looks in their formal detail.
http://artforum.com/picks/section=nyc&mode=past
American & Italian Art From the 1960s On View at the National Academyhttp://www.fineartconnoisseur.com
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| American & Italian Art From the 1960's |
American & Italian Art From the 1960s On View at the National Academyhttp://www.fineartconnoisseur.com
Monday, September 9, 2013
I'm pleased to announce that I have two exhibitions coming up in the area
The first one will be in Stamford, CT at The Palace Theater's Sackler Art Gallery, from Sept. 16th to Nov. 5th.
Opening reception Thursday, Sept. 19th, 6:00 to 8:00pm
The second one in New York City, at the Sonia Gechtoff Gallery at the National Academy, from Oct. 2nd to Nov. 7th.
Opening reception Thursday, Oct. 3rd, 6:00 to 8:00pm
The exhibition XVI Salon Supercable Jovenes con FIA has ended and was very well received. Now my sculpture Fuente de la Juventud will be shown at Galeria D'Museo in Caracas, Venezuela, until the end of October.
Hopefully you'll be able to come to see them.
Celebrating the Hispanic Heritage month, Liber-Art brings to you "Latin Roots"
September 16th to November 5th, 2013
Opening reception Thursday, September 19, from 6:00 to 8:00 PM
Sackler Art Gallery
at The Palace Theater
61 Atlantic Street,
Stamford, CT 06901
ON THE RELATIVITY OF DISTANCE
(American and European Art 1965-2013)
October 2- November 7, 2013
Opening Reception, Thursday, October 3rd, 6:00 - 8:00 pm
Sonia Gechtoff Gallery
at The National Academy
5 East 89th Street
New York, NY 10128
The first one will be in Stamford, CT at The Palace Theater's Sackler Art Gallery, from Sept. 16th to Nov. 5th.
Opening reception Thursday, Sept. 19th, 6:00 to 8:00pm
The second one in New York City, at the Sonia Gechtoff Gallery at the National Academy, from Oct. 2nd to Nov. 7th.
Opening reception Thursday, Oct. 3rd, 6:00 to 8:00pm
The exhibition XVI Salon Supercable Jovenes con FIA has ended and was very well received. Now my sculpture Fuente de la Juventud will be shown at Galeria D'Museo in Caracas, Venezuela, until the end of October.
Hopefully you'll be able to come to see them.
Celebrating the Hispanic Heritage month, Liber-Art brings to you "Latin Roots"
September 16th to November 5th, 2013
Opening reception Thursday, September 19, from 6:00 to 8:00 PM
Sackler Art Gallery
at The Palace Theater
61 Atlantic Street,
Stamford, CT 06901
ON THE RELATIVITY OF DISTANCE
(American and European Art 1965-2013)
October 2- November 7, 2013
Opening Reception, Thursday, October 3rd, 6:00 - 8:00 pm
Sonia Gechtoff Gallery
at The National Academy
5 East 89th Street
New York, NY 10128
Friday, June 21, 2013
XVI Salón SuperCable Jóvenes con FIA
This coming Sunday, June 23, 2013 will be the inauguration of the XVI Salón SuperCable Jóvenes con FIA in Caracas, Venezuela. I'm proud to announce that I was on of the 20 artists selected to participate in it with my sculpture "La Fuente de la Juvented"
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| La Fuente de la Juventud Resistors, PVC and wire 2013 © Nadia Martinez |
Emilio Narciso proposes a youth room to see, touch and feel
The creations of 20 artists under 35 years old dialogue with the idea polisensorialidad.
Sculptures touch, an atmosphere that includes mandalas projected on the ceiling and a pouf, grocery items, musical instruments and designed to sit dimensional pieces are part of the XVI edition of Salon Supercable Jovenes with FIA, which this year commitment to the art polisensorialidad . The confrontation will be inaugurated on Sunday with the participation of 20 artists under 35 years old, a group of invited artists and Contact Group, which brings together creators blind.
the curator Emilio Narciso, who built his story exhibition based on the theme "The practice of fiction".
Sculptures touch, an atmosphere that includes mandalas projected on the ceiling and a pouf, grocery items, musical instruments and designed to sit dimensional pieces are part of the XVI edition of Salon Supercable Jovenes with FIA, which this year commitment to the art polisensorialidad . The confrontation will be inaugurated on Sunday with the participation of 20 artists under 35 years old, a group of invited artists and Contact Group, which brings together creators blind.
the curator Emilio Narciso, who built his story exhibition based on the theme "The practice of fiction".
"The practice of fiction" is the premise from which 20 artists - 18 Venezuelans and 2 foreign-created a work of art this Sunday aspires to be one of the three awardees with FIA Young Hall.
Read more here
"The practice of fiction" is the premise that leads the event, which will present the creations of young people under 35 years covering the practice of painting, photography, drawing, collage, sculpture, performance, installation and sound art."Read more here
Read more here
Multidisciplinary Fiction Youth with FIA
Reclaiming reality from fiction . That's the premise of XVI Salon Supercable Jovenes con FIA which opens this Sunday in Banking Corp spaces. Its curator, Emilio Narciso, conceived the show as a body of work that explores on the creative capacity that is enhanced from fiction to create worlds that challenge reality.Read more here"The practice of fiction" is the premise that leads the event, which will present the creations of young people under 35 years covering the practice of painting, photography, drawing, collage, sculpture, performance, installation and sound art."Read more here
Wednesday, May 29, 2013
Thursday, April 4, 2013
Tuesday, April 2, 2013
At the Affordable Art Fair NY 2013
This are some of the pieces that will be at the Affordable Art Fair this week, stop by D'Museo booth C-7
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Abundancia
Circuit boards, wire and phone jacks
Installation
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Donde esta la olla de oro?
Wire and connectors
Installation
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Camino al Inconsciente
Juction shells
Installation
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You can see more of my latest pieces here www.nadiamartinez.com
Wednesday, March 27, 2013
Coming shows
Coming up...
Represented by Galeria D'museo @
April 3-7, 2013
The Metropolitan Pavilion
125 West 18th Street
New York, NY 10011
A fun four-day event hosting over 80 galleries and a huge array of contemporary art, the spring edition of the New York City Affordable Art Fair will take place from April 3-7, 2013 in the Metropolitan Pavilion.
Opening time
Private Preview Party
Wednesday, April 3 7pm – 10pm
Press Preview 6.30pm
Public Fair Hours
Thursday, April 4 11am – 8pm
Friday, April 5 11am – 8pm
Saturday, April 6 11am – 8pm
Sunday, April 7 11am – 5pm
Represented by Galeria D'museo @
Lima Art will bring together national and international contemporary visual artists,
collectors, curators, critics, journalists from around the world in Peru's capital.
April 25 to 28, 2013.
Venue and Address: Escuela Superior de Guerra (ESGE) and El Centro de Altos Estudios Nacionales (CAEN).
Represented by Galeria D'museo @
The Metropolitan Pavilion
125 West 18th Street
New York, NY 10011
A fun four-day event hosting over 80 galleries and a huge array of contemporary art, the spring edition of the New York City Affordable Art Fair will take place from April 3-7, 2013 in the Metropolitan Pavilion.
Opening time
Private Preview Party
Wednesday, April 3 7pm – 10pm
Press Preview 6.30pm
Public Fair Hours
Thursday, April 4 11am – 8pm
Friday, April 5 11am – 8pm
Saturday, April 6 11am – 8pm
Sunday, April 7 11am – 5pm
Represented by Galeria D'museo @
Lima Art will bring together national and international contemporary visual artists,
collectors, curators, critics, journalists from around the world in Peru's capital.
April 25 to 28, 2013.
Venue and Address: Escuela Superior de Guerra (ESGE) and El Centro de Altos Estudios Nacionales (CAEN).
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